Chris Brown Takes “Shit At A Wall” Approach, Releases 45 Track “Heartbreak on a Full Moon” To Game The Charts
Chris Brown has just released "Heartbreak on a Full Moon," a 45 track, 2 hour and 38 minute recording that includes him whining about bottle service. It's hard to imagine. Continue reading
The Problem Of Literal Listening
In this thought provoking piece by Kat Harding, she explores the issue of literal listening in the music industry, particularly when it comes to the music of women and people. Continue reading
MON. BRIEF: Roc Nation Renews w/Live Nation, Seeks Label Cash • iHeart On Edge • Neil Young Announces Xstream • More
Monday 4.24.17 Music Business News From Around The Web Live Nation loves Jay Z, but wants out of the label business just as running a label gets profitable again. . Continue reading
Music Streamer Deezer Explores Radical Shift To User Centric Licensing [MARK MULLIGAN]
"What if that metal fan only listened to Metallica, yet still 10% of that subscriber’s revenue went to Katy Perry?" It is not a hypothetical question. It's actually how payments. Continue reading
Spotify ‘Seriously’ Explores Nixing IPO In Favor Of Direct Listing, Motivated By $1B Funding Terms
This week's announcement that Spotify had cut a multi-year licensing deal with UMG, and the subsequent deals with other rightsholders that will certainly follow, paves the way for Spotify to. Continue reading
Are UMG, Labels Encouraging Spotify’s 50 Million Free Users To Become Pirates? [UPDATED]
[UPDATED] With today's news of a Spotify, Universal Music Group deal that includes two week windows that make some album releases available only to paid subscribers, this article which we. Continue reading
The Trial That Will Determine Songwriters’ Income Over The Next 5 Years
Big news in the world of mechanical royalties, the Copyright Royalty Board is opening up hearings to set a new mechanical royalty rate. The board will hear from both music. Continue reading
Pandora Under Pressure Even As Music Industry Warms To Westergren
Pandora used to be the company the music industry loved to hate. An aggressive campaign to lower royalty payments and a now ex-CEO who cared more about money than music. Continue reading