Nimbit Upgrade Drops Direct-To-Fan Commissions, Adds International

Nimibit, now owned by PreSonus, has released a major update to its direct-to-fan sales and promotion platform along with reduced transaction fees. Commissions have been reduced from 16.5% for all accounts to. Continue reading

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Getting It Done: The Week In D.I.Y. & Indie Music

Music Crowdfunding Without A Fanbase The Definitive Survival Guide for Band and Musician Photo Shoots Kosha Dillz On 13 Things I Would Do For My Career and Life With $5000. Continue reading

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Universal Music Canada Links With PledgeMusic For Direct-to-Fan Campaigns

This week Universal Music Canada (UMC) announced that they are using PledgeMusic's unique direct-to-fan platform for their artists.  Dubbed a partnership, it's a bit different than the wide range of. Continue reading

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Tunezy’s New Fan Wishlists Connect Musicians And Fans Through Tangible Experiences

Last week Tunezy announced the introduction of Fan Wishlists that provide a structured means for musicians to identify fan experiences, i.e. direct interactions between fan and artist, that can then. Continue reading

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The 3 Pillars Of Music Fan Engagement

In a previous post I talked about why it’s important that musicians interact with their fans. But how often should this be done? And for how long? Can managers, labels,. Continue reading

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Making New Fans in Unexpected Places

Artists want to make new fans, but it may be hard sometimes especially if you only focus on people that like your genre. If you look in different areas, you. Continue reading

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The Viral Power of Fan Communication: A Fleet Foxes Case Study

On Music Think Tank, we've discussed communicating and connecting with fans in many posts. It’s great to see when a musician has done a good job with direct-to-fan communication. On. Continue reading

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Topspsin CEO Ian Rogers: “Direct To Fan is NOT a Rich Band’s Game”

Guest post by Ian Rogers of Topspin. On a panel at SF MusicTech on last week, I made reference to a fact we first published back in 2010: while the. Continue reading

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