Jesse von Doom On Developing CASH Music’s Non-Profit Indie Music Community: “We build for and with artists.”
Here Jesse von Doom outlines the goals of CASH music, an organization which makes free and open web tools available for performing artists, as well as running an educational site.. Continue reading
Feeling Overwhelmed? Here Is The Least You Can Do For Your Band’s Social Media
This how-to article takes a somewhat different approach to marketing advice, offering artists who might be less than thrilled at the prospect of spending additional time online advice on how. Continue reading
Have Donations Become A Viable Part Of Musicians’ Business Model?
As live streaming and other newer media models becoming increasingly commonplace in the new music economy, it may be time to revisit donations and see if they are perhaps a. Continue reading
JOB: Director Marketing, Sales, Licensing At Smithsonian Folkways
Smithsonian Folkways Recordings is seeking a new Director Marketing, Sales and Licensing. Smithsonian Folkways is an internationally prominent nonprofit record label located within the Center for Folklife and Cultural Heritage at. Continue reading
Universal Invests in Indie Petrol Records, Deal Includes New INXS Documentary and Records
UMG has taken a major stake in indie Petrol Records. Now that, thanks to streaming, the major music groups have found their footing, they're again consolidating their dominate position with. Continue reading
An Artist’s Guide To Crowdfunding
While it's nice to think that music is all about artistry and hardwork, money also plays a huge part in finding success as a DIY musician. Here we look go. Continue reading
‘Playing For The Cause’ Works To Link Artists, Local Charities
For artists who want to make a greater positive impact beyond simply the songs they write, Playing for the Cause acts a link between said artists and charitable non-profit organizations. Here. Continue reading
Facebook’s Video Management Efforts Must Consider Songwriters
Facebook's announcement that it will be releasing a suite of tools to help rights holders remove infringing video is good news for video rights holders, but leaves artists wondering if. Continue reading
