There’s just 1 week left for indie venues, festivals and promoters to take the NIVA State of Live survey, the first ever independent economic study of the U.S. independent live sector.
The Clio Music Awards winners have been announced for 2025 recognizing creative excellence in music marketing and the use of music in advertising globally.
Craft vs Character: The music industry is trapped in a system that rewards personality over craft, forcing artists to become content creators first and musicians second, writes Mark Mulligan.
There is growing talk about blowing up the compulsory license for songs in the US under Section 115 of the Copyright Act. But while the current deal is not a good one, unhappiness with DSPs and streaming royalties should be channeled carefully, says Chris Castle.
Universal Music Group (UMG) has announced its official adoption of ISNI IDs as a global identifier assigned to anyone involved in the creation of intellectual property.
Lean the art of vocal production as Prince Charles Alexander shares insider secrets on working with legends like Biggie and Beyoncé and shaping the next generation of music producers at Berklee Online. Learn his insights on AI, vocal emotion, and making sure you get credit for your work.
We caught up with country-folk favorites Wild Ponies for this latest edition of ‘6 Questions With’ on their way to Montreal to showcase at Folk Alliance conference.
In a major Reuters AI copyright decision the court sided with creators, setting a new legal precedent. Tatiana Cirisano of MIDiA explains Reuters vs. Ross and how the impact on the music industry is still unfolding.
With the internet and digital technologies driving rapid change within the music industry, articles about new releases and who has been hired and fired are no longer enough. Our up to the minute industry news alongside insightful commentary helps our readers sift through the rumors and developments to find the information they need to keep their businesses moving forward.
Hypebot is read daily by more than 30,000 music industry professionals including executives and senior staff of music related tech firms, internet based music sites, every major label group and most indies as well as many managers, artists and members of the live music community:
