Radio needs a new model, says Dropkick Murphy’s frontman Ken Casey

Among the supporters of the American Music Fairness Act (AMFA) is bassist Ken Casey, member of Local 9-535 (Boston, MA) and longtime frontman of the Celtic punk band the Dropkick Murphys.  

A guest post by Chris Castle of Music Tech Solutions.

On June 24 of last year, a group of legislators and musicians gathered on Capitol Hill to introduce the American Music Fairness Act (AMFA). The AFM and the MusicFIRST Coalition worked closely with members of Congress to help craft the AMFA. If adopted, the bipartisan bill will establish a performance right for sound recordings, ensuring that all of the performers, musicians, and others involved in the creation of a recording will receive fair compensation for its broadcast on AM/FM radio. Among the supporters was bassist Ken Casey, member of Local 9-535 (Boston, MA) and longtime frontman of the Celtic punk band the Dropkick Murphys. It was hardly the first time Casey has lent his voice to a cause.

Together for more than 25 years, the Dropkick Murphys originated in 1996 when Casey, then a bartender at Symphony Hall in Boston, accepted a bet from a co-worker. He’d never played an instrument before, but he vowed he could win the bet by starting a band, and soon they were rehearsing in the basement of a nearby barbershop.

Despite the hundreds of billions of dollars large media corporations like iHeartRadio make from advertisers, they never share a penny of that with the musicians who create the music. Musicians deserve compensation for work—just like everyone else.

Sign the American Music Fairness Act petition, visit https://bit.ly/AMFA-fairpay

Read the full post on the International Musician