In this Loyola University interview, music supervisor Joel C. High discusses the ins and outs of his career. He goes into detail about the licensing and creative issues that a music supervisor deals with, working with directors, navigating politics in a big budget production, and building a lasting career. WATCH:
Great seminar! As an industry employee working in sync licensing for music publishing, that was all extremely relevant to any aspiring music business student but also to those who are more interested (like me) in the inner political mechanics of music supervision besides tune pitching and clearing rights. Awesome post!
With the internet and digital technologies driving rapid change within the music industry, articles about new releases and who has been hired and fired are no longer enough. Our up to the minute industry news alongside insightful commentary helps our readers sift through the rumors and developments to find the information they need to keep their businesses moving forward.
Hypebot is read daily by more than 30,000 music industry professionals including executives and senior staff of music related tech firms, internet based music sites, every major label group and most indies as well as many managers, artists and members of the live music community:
Great seminar!
As an industry employee working in sync licensing for music publishing, that was all extremely relevant to any aspiring music business student but also to those who are more interested (like me) in the inner political mechanics of music supervision besides tune pitching and clearing rights.
Awesome post!